Big Eyes were formed by James Green in 1999, initially as a solo experiment, a chance
to mess around with acoustic sounds and to indulge his passion for soundtracks and
instrumental music. The experiment soon progressed and Big Eyes added other members.
Violin was added by Katherine Wood, Mark Rimmer played guitar and Harmonium, Neil
Shumsky on bass and Elodie Ginsbourg offering spoken-word vocals on some songs.
This line-up created Big Eyes first record, 'Big Eyes Songs', a mini-album released
on Pickled Egg. The record was met with critical acclaim and gained
fans like John Peel, who featured several of their songs on his Radio One show. The
many complimentary reviews highlighted Big Eyes' love for eastern-European traditional
music, folk and modern classical music.
The next year their follow-up, full-length album 'Clumsy Music' was released - again
on Pickled Egg. A darker affair and more experimental this time around. This slight
change in style was met with approval by many critics and again they found their
songs gaining much airplay from Peel. Around this time they gained a percussionist
in Andrew Brown, whilst Mark left the band in late 2001, but not before the band
shared a split 7" with Empress released on Jonathon Whiskey and finished recording
their second full-length album, 'Love Is Gone Mad', once again on Pickled Egg.
The album marked another progression, keeping the darker atmosphere of 'Clumsy Music'
but embellishing much more on ideas and structures within the songs (it's the first
Big Eyes release to feature songs over 3 minutes long). Once again the responce was
positive, in particular with a feature in Sleazenation as well as more airplay
and yet more positive reviews.
After a short break where Dave Jaycock joined on guitar and harmonium duties, the
band had another release, the 'I See Creatures' 7" EP, released in March
2003. After a lengthy break from performing live Big Eyes undertook a short UK tour
with a new, stripped-down line-up of just James and Dave performing on acoustic
guitars, debuting new material and reworking older tracks.
Early in 2004, Big Eyes released 'We Have No Need For Voices When Our Hearts Can Sing',
the last record to be recorded with the line-up that has played on previous albums.
Future plans for Big Eyes promise to be eclectic and experimental, the band returning
once again to the core of James Green with many guests new and old. 2004 also saw the
release of James' debut solo album, 'Tempers, on his own
Early Winter Recordings label.
The Big Eyes Family Players...
|
|
The Big Eyes Family Players 'Do The Musiking' CD (Pickled Egg Records Egg 61CD) 'Do the Musiking' is an album curated and created by Big Eyes captain James Green, along with his co-pilot David Jaycock over the past 3 years. After the last Big Eyes album, 'We Have No Need for Voices...', they decided to call it a day with the 'group' dynamic, and plough their interests into experimenting with classical/folk arrangements and collaborating with artists they admire. The new album, under the moniker 'The Big Eyes Family Players', is a 29-track album, featuring contributions from numerous musical talents including James Yorkston, James William Hindle, Rachel Grimes (Rachel’s), Jeremy Barnes (A Hawk and A Hacksaw, Bablicon) and Suzy Mangion (George, and occasionally Piano Magic). "This pool of talent allows the songs to really take-off and become fully realised, often taking on a classical persona, no more so than on 'Die Nacht' which is a gorgeous piece of music that makes you listen, and is followed by the brief but lovely 'Shanty For Darty'. An almost hallucinatory feel is conjured up by the drone-folk of 'A Dream Of Fires', which at 3 minutes 20 seconds is one of only three tracks to break the three minute barrier, meaning that the songs pass by like dreams half remembered, something which gives the album a magical feel, the sound of woodlands on a summer day" [The Ptolemaic Terrascope] "With this 29 song/78 minute album it seems like Big Eyes - now The Big Eyes Family Players - set out to quietly astound and perhaps confound. An album so sprawling, it makes the Beatles 'White Album' sound downright cohesive; but it’s also got something else in common with that album - it’s almost all excellent. Woozy Gypsy laments for sleepwalkers, the perfect theme to a remake of The Third Man, an almost lo-fi gauzy indie-folk pop squeezing sunshine out of eternity through acts of melodic compassion. One track sorta reminds me of Alasdair Roberts. There are some of Cluster's miniature universe theories, and a moment or two reminiscent of Neu, icicle windchimes, and warm cool softspoken intimacy. Lots of old European sorrow, nocturnal jazz grooves, a dash of discordant angst, and some surrealistic lullabies slowly passing like elevated Fahey extrapolations meandering down a glacial riverbed. Some haunted hallucinatory personal folk songs, and an expansive sense of mystery, of something only partially revealed, perhaps glimpsed only in passing" [George Parsons, Dream Magazine] 'For Cognac' (MP3) 'Die Nacht' (MP3) 'The Printmaker's Dilemmas' (MP3) Download Do the Musiking Listen to Do the Musiking on Last.fm |
UK: £10.00
|
|
|
'We Have No Need for Voices when Our Hearts Can Sing' CD (Pickled Egg Records Egg 49CD) Perhaps the most musically varied of all their releases, ‘WHNNFVWOHCS’ sees Big Eyes loosening their belts somewhat, with a collection of full-on chamber pieces, country mules, polkas and plainsongs. There are the precise baroque arrangements of ‘Spidersong’ and ‘On Twigs’, the American folk of ‘David’s Lovesong’ and ‘At Claydon Point’, the graceful string fugues of ‘Podsley’s Lullaby’ and ‘A Second Heavy Heart’, and the atonal meanderings of ‘Wash Me Upstream’ and ‘Drunken Ghost Dance’. The album also includes a collaboration with the multi-instrumentalist Terry Edwards (ex-Tindersticks, Gallon Drunk), in the form of ‘Bugle Junior’, on which he plays flugelhorns. 'David's Love Song' (MP3) 'Bugle Junior' (MP3) 'Podsley's Lullaby' (MP3) Download We Have No Need For Voices When Our Hearts Can Sing |
UK: £10.00
|
|
|
'I See Creatures' 7" EP (Pickled Egg Records Egg 45) "A really stark and swirly instrumental blend of psychedelic influences held in check, as they might have been on a classic Elektra LP (or maybe a Nick Nicely 45). The way they weave the acoustic guitar into the arrangements, really reminds me of mid-period Love (if they had been into doing movie soundtracks), but not in a way that I could easily explain" [Byron Coley, The Wire] 'Gentle Neck' (MP3) |
UK: £3.00
|
|
|
'Love is Gone Mad' CD (Pickled Egg Records Egg 36CD) Second full-length album from the Leeds/Sheffield ensemble, explores the theme of love songs in all their many manifestations. Perhaps less experimental than its predecessors, but more visceral. "Big Eyes make music that's perfect to smudge your mascara to: velvety instrumentals streaked with unfurling string glassandos, droplets of Spanish guitar and the tears of a million broken hearts.
"Love Is Gone Mad comes on like a morphined-up Ennio Morricone, yet charms
it's way into the inner ear with a beguiling beauty all it's own"
[Amber Cowan, Sleazenation] |
UK: £10.00
|
|
|
'Love is Gone Mad' LP (Pickled Egg Records Egg 36LP) "This 3rd album (though the first could have been called an EP), finds this string, acoustic (or turned down low) multi-instrumental band growing in their own singularly lovely, mostly instrumental (one track features spoken narrative, and there are wordless vocals on others) way; into something more soundtrack-like as they mature. Richly emotional, like folk songs played by an empathetic orchestra. Insular too, with circular costructions that spiral inward like the chambers of a nautilus. 16 songs that sound as good with breakfast as they do at 3:AM. Bright watercolors that feel like fresh air, or the darkest night of the year depending upon the mood. There’s a lot of Morricone in the air, but there’s easily as much mid-Euro folk, and the atmospheres are as vivid as any dream in real life or sleeping. I want to resist; but I must insist, this is the best Big Eyes effort yet" [George Parsons, Dream Magazine] 'Fast, Loose & Lovely' (MP3) 'Lament for the Lost Ones' (MP3) 'The Victim' (MP3) Download Love is Gone Mad |
UK: £9.00
|
|
|
'Clumsy Music' CD (Pickled Egg Records Egg 29CD) Big Eyes first full-length offering takes a darker direction than the debut mini album, 'Big Eyes Songs', treading a peculiar path through modern classical, eastern European traditional music, surf-sleaze, country, noise, experimentation and folk. "This is a wonderful album, running down a path of great beauty" [Steve Hanson, Ptolemaic Terrascope]. 'Threeleftfeet' (MP3) 'Sleep' (MP3) Download Clumsy Music |
UK: £10.00
|
|
|
'Clumsy Music' LP (Pickled Egg Records Egg 29LP) "Clumsy music? This is anything but. In a complete reversal of the titular accuracy of Big Eyes Songs, Clumsy Music deceives to flatter. James Green, the Big Eye, reckons that Clumsy Music is more grown-up than Big Eyes Songs which was naively short and sweet. Does that mean we should expect cynically long and sour? It's certainly longer - about twice - but the basic template is the same; to take the very essence of a tune, the heart of the hook, wrap it in the merest wisps of gentle music and set it free on the breeze from your speakers. Green brings classical instruments and unusual arrangements to pop music, with the spirit early Wire had (innovation, minimalism) but without all that shouting. 'The Chattering Lady' is slow gypsy folk, 'Samba Sedation' more of a lazy brass seduction and 'Don’t Be Shy' a weird fleeting nightmare that could be The Black Swan Network. Just as a book of short stories never quite sates the reader's curiosity, so 'Clumsy Music' leaves the listener wanting more, unsatisfied by the teasing beauty of the tunes. That's not clumsy, that's a great skill" [Jimmy Possession, Robots & Electronic Brains] 'Threeleftfeet' (MP3) 'Sleep' (MP3) Download Clumsy Music |
UK: £9.00
|
|
|
'Big Eyes Songs' CD (Pickled Egg Records Egg 21CD) Debut release from Leeds/Sheffield-based quartet. Twelve short, achingly beautiful pieces of naïve, classically-influenced music, featuring guitar, accordion, violin, bass and spoken vocals. "A dozen tracks in less than 19 minutes: starts out with 'Red Tricycle', all hauntinggypsy violin and bouncy folkish mystery. 'The Boo Girl' is like a sadder Penguin Cafe Orchestra. Dog Eared is like a more concise Rachels doing an instrumental Tindersticks. Mostly it's like a series of bittersweetly evocative instrumental sketches in acoustic guitar, violin, accordion, auto-harp and bass. Entirely dreamy and excellent, without trying too hard at all. Maybe next time they could stay a bit longer?" [George Parsons, Dream Magazine] 'Gin Head' (MP3) 'Feathers' (MP3) Download Big Eyes Songs |
UK: £6.50
|
|
|
'Big Eyes Songs' 10" mini LP (Pickled Egg Records Egg 21LP) "Twelve tracks and 18 minutes in length, so criminally short and each song so brief that if you dare to pause for breath they’re gone in a flash. An irresistible melange of violins and accordions give this at times a feel of L'Augmentation's Bergerac-like soirees, especially on 'Boo Girl' and 'Dog Eared'. 'Big Eyes', the first of only two vocal tracks has a cinematic flavour with Francophile whispers that are strangely 'Allo 'Allo. Traces of God Speed You Black Emperor can be found being cajoled within 'Ginhead', the track producing a haunting melody that wouldn't be lost on Morricone's Once Upon a Time in the West soundtrack. 'Brain Cell' stretches the influences further with it's love for 60's TV spy themology, distantly reminiscent of Vendetta, and always threatening to go all out surf without a moments notice. The deadpan tragi-comedy tale of Albert the daydreamer in 'Curled Lip' adding a touch of comic pathos to the proceedings" [Mark Barton, Losing Today] 'Gin Head' (MP3) 'Feathers' (MP3) Download Big Eyes Songs |
UK: £6.50
|
|
|
James Green 'Tempers' CD (Early Winter Recordings EWR1) Delicate and gentle as a passing breeze, the first solo record from James Green is a graceful assemblage of instrumental sketches that will appeal to all who appreciate the plaintive beauty of the classical guitar. Those familiar with Big Eyes' discography will recognise James' unmistakeable grasp for simple, affecting melody, here presented with an honest, confessional simplicity, which commands attention. All pieces are first or second take and are either solo guitar or two tracks maximum. By consciously limiting himself to this instrument and these techniques, James has developed a sound that might complement the New Folk troubadours currently emerging from the US such as Jack Rose or Ben Chasny (Six Organs of Admittance), but with a lightness of touch almost absent in any of those guitarists' work. Let it be said that this is closer to the work of Mick Turner (Dirty Three), John Williams, Bert Jansch, Eric Satie or Debussy than Fahey, Kottke, Basho or other names so often paraded but rarely equalled. Packaged in a tasteful hand-printed slip case and limited to 250 copies, this release serves a beautiful companion piece to the most recent Big Eyes album 'We have no need for voices when our hearts can sing'. Track 2 (MP3) |
UK: £6.85 EU: €11.50 US: $14.50 |
|
|
The Broken Blackbird Ensemble 'Gadzooks!' CD (Early Winter Recordings EWR2) ‘Gadzooks!’ is the first album by new 6-piece experimental group ‘The Broken Blackbird Ensemble’. It features James and David from Big Eyes, but there the comparison ends. TBBE feature players previously and currently immersed in noise/sound experimentation, klezmer, folk, classical and acid-rock, but this, their first album, contain nothing that could be specifically classified under any of these ‘categories’. The album was recorded and improvised in one day (in September 2004), with some tracks from the vaguest principle, others conceived from scratch. Theirs is the sound of creaking wood, gothic ragas, horrored drones, a choir of pipes and oh-so hushed melody. Is’ free-folk’ the right term? Who knows, but there is definitely some music common ground between the ‘New Weird America’ artists and TBBE. Bambino (MP3) |
UK: £6.85 EU: €11.50 US: $14.50 |
Make Pickled Egg some extra cash by following the Egg credit card link
If
you want to get a new pair of glasses,
consider buying your glasses
online! Sign online today to browse the best
selection of designer
glasses at the most affordable prices. Whether you
are interested in cheap
spectacles or you want to find a hot new pair of sunglasses,
our website will give you your best choices!