Pickled
Egg Records, in association with The
Phoenix Arts Theatre, and Magic-Teapot
present:
Leicester-based Pickled Egg Records is one of the most sharp-eyed,
adventurous independent labels around, releasing some of the best music of any
label, anywhere. Eclectic to a fault, and firmly out of step with current
trends, since it's inception in 1998, it has dedicated itself to redressing the
world’s musical balance in favour of quirky genius, bent tunefulness, noisy
playfulness, jazz turmoil, inventive retro-futurism and downright emotional
heart-on-sleeve belief, hope and passion. In a world in which the musical
balance is already, irretrievably, weighted down on the side of corporate
flatulence, labels like Pickled Egg are so a priori unnecessary, and yet
so a posteriori essential.
Volcano the Bear
was formed in May 1995, in Leicester, England, by Daniel Padden, Laurence Coleman,
Nick Mott and Aaron Moore. These four musicians encountered frustrations with the
limitations of traditional musical endeavors and sought an outlet that could defy
convention. Volcano the Bear quickly became the platform for their total artistic
freedom and personal expression, where they could explore collective ideas and
interests in a new and inventive manner. The music that came forth from this
collective ideology was a beautiful cross-section of the English underground of
years past (Robert Wyatt, This Heat, Nurse With Wound) alongside the rhythms of
Can, the trickery of Faust and a Residents-like surrealist bent. Volcano the Bear
adapt these lofty inspirations into a sound that is distinctly their own creation,
one that blurs the lines between songs, composition, noise and improvisation. This is
the first time Volcano the Bear have performed in Leicester for 2 1/2 years, and the first
time with Laurence Coleman and Daniel Padden for over four years. Pickled Egg released
the 'official' debut Volcano the Bear album, 'Yak Folks Y'are' in 1999. Nalle
is the Glasgow based trio of Hanna Tuulikki (vocals, kantele, flutes), Aby
Vulliamy (viola) and Chris Hladowski (bouzouki, clarinet). All three group
members have also performed with Scatter, and Chris and Aby play in The One
Ensemble of Daniel Padden, amongst other projects. Nalle play an exotic
selection of stringed and percussive instruments in a style that's tinged with
hints of North African, Eastern & Northern European musics. You might call this
"folk", although that falls short of describing the beguiling noise they make
together. Pinning Hanna's voice down in a few words is the hardest part of all...
at once she can sound childlike, and as though she's a conduit for some ancient
force from the depths of a stone-age well! Nalle make music that is at once personal,
haunting, and utterly idiosyncratic. Their debut Pickled Egg album, 'By Chance Upon
Waking', was described by Brad Rose in
Foxy Digitalis magazine as "easily the best thing I've
heard in 2006 thus far, and I reckon it's going to be hard for anything to come
close" George
are a Manchester-based duo of great sensitivity and originality, both in their
composing skill and their choice of instrumentation. Often compared to Low, but
a studied eccentricity percolates their music, pitched somewhere between folk
electronica and sepia-hued melancholy. Instrumentally, the duo displays an
antiquarian's magpie methodology - their vintage sense of otherness occupying
broadly similar territory to Pram. However, Suzy Mangion's voice cuts through
the muggy layer of postmodernism to deliver songs that beautifully capture a
sense of loss - fragile and heart-rending in places, but very English and
underplayed, never overblown. George are possibly the only visionary, quality
act currently coming out of Manchester. The group have released two albums on
Pickled Egg.
The Devil and Daniel Johnston is a stunning portrait of a musical and
artistic genius who nearly slipped away. Daniel Johnston,
a manic-depressive genius singer/songwriter/artist has spent the last 25 or so
years exposing his heartrending tales of unrequited love, cosmic mishaps, and
existential torment to an ever-growing international cult audience. Initiates,
including a healthy number of discerning musicians and critics, have hailed him
as an American original in the style of bluesman Robert Johnson and country legend
Hank Williams. A growing number of artists - among them Yo La Tengo, Sonic Youth,
former Velvet Underground drummer Mo Tucker and even Johnny Depp! - have covered
Daniel’s songs. Director Jeff Feuerzeig exquisitely depicts a perfect example of
brilliance and madness going hand in hand with subject Daniel Johnston. As an
artist suffering from manic depression with delusions of grandeur, Daniel
Johnston's wild fluctuations, numerous downward spirals, and periodic respites
are exposed in this deeply moving documentary, and portrait of madness,
creativity and love. Pickled Egg Records released Daniel's 'Rejected Unknown'
double LP in 2000, as well as a brace of now very rare and collectable 7" singles.
Super Bompers
is the latest incarnation of Tookie Sherman, of Philedelphia spazzcore meister's, Need New Body.
Tookie Sherman is currectly resident in Berlin, whilst Need New Body take one of
their periodic sabbaticals. Tookie Sherman was a founder member of Need New Body, and a
major contributor to the group's artistic direction. The band were hand-picked by David
Pajo of Slint to play at the February 2005 All Tomorrow's Parties festival, which by common
consent, they took completely by storm. Anyone who was lucky enough to witness their blinding
set at Leicester's Looking Glass that same month, will surely concur that Need New Body
are one of the most awesome and inventive bands around today, and the Tookie Sherman set
will be one of the most anticipated of the entire show. Pickled Egg released all three Need New
Body albums between 2001 and 2005.
James Green
is the brainchild behind Sheffield/Leeds-based ensemble, Big Eyes, who,
over the past four or five years, have become something of a Pickled Egg
houseband, releasing no fewer than four albums for the label. Big
Eyes have recently undergone something of a musical revamp, and have just released
a new album, 'Do the Musiking' on Pickled Egg, under the 'The Big Eyes Family Players'
moniker. This 29-track collaborative epic features contributions from numerous musical
talents, including James Yorkston, James William Hindle, Rachel Grimes (The Rachel’s),
Jeremy Barnes (A Hawk and A Hacksaw, Bablicon) and Suzy Mangion (George).
James will be performing solo, with one or two possible special guests, and those
familiar with the Big Eyes discography will recognise James' unmistakeable grasp for simple,
affecting melody, presented with an honest, confessional simplicity, which
commands attention. By consciously limiting himself to the acoustic guitar,
James has developed a sound that might complement the New Folk troubadours
currently emerging from the US, such as Jack Rose or Ben Chasny (Six Organs
of Admittance), but with a lightness of touch almost absent in any of those
guitarists' work. Let it be said that this is closer to the work of Mick Turner
(Dirty Three), John Williams, Bert Jansch, Eric Satie or Debussy than Fahey,
Kottke, Basho or other names so often paraded but rarely equalled. Liverpool 6 piece Zukanican have been likened
to an unholy hardcore collision between Can, The Soft Machine and Art Ensemble of
Chicago. Theremin battery, skippy keys, s-bending bass, drill pattern drums, siren
organ in continuum, other pulses muscling in on the action, a diversion into free-funk
with sci-fi white noise cutting across. Their free-flowing improvisations, tasty
Krautrock grooves and jazz flourishes, paint a huge aural canvas with thick layers of
colours borrowed from such luminaries as John Coltrane, Sun Ra and Bablicon.
Areas of free form ectoplasm within shifting structures. Ghostly phosphorescent
footsteps lead through darkened corridors of atomized attic space and hoot owl operatics.
Zukanican's 10" mini album, 'E5number' was released on Pickled Egg in 2003, and the
group's debut full-length album, 'Horse Republic', is released in June, also on Pickled Egg.
Now
are an east London based ensemble, who fuse elements of krautrock, free jazz, lo-fi,
synth pop and music from various ethnic sources, to create their own unique, highly
inventive sound. In Scar studios London, in 1999, songwriter Justin Paton met drummer
Giles Narang during weekly jam sessions and asked him if he'd be interested in playing
some of his songs in a new band. Justin’s incorporation of home made lo-fi with
intricately crafted songs, combined with Giles' understated relentlessness and intense
attention to detail would create the basis for the Now-sound. The pair arranged regular
rehearsals in Giles' basement, and with various friends helping out on other
instruments, Now was born. Depending on the audience and venue, Now play a range of
styles from experimental improvised sounds to rhythmic, dance-y, driving pop music
that often transforms into extended percussive jams in which the audience sometimes
participates. Now could be described as catchy, contemporary, inventive, exotic,
melodious and harmonious 21st century pop music. Now release their debut album, 'Frisbee
Hot Pot' on Pickled Egg in June.
'The Séance'
is a short film by Brighton filmmaker, Toby Amies, featuring a soundtrack from
Oddfellows Casino. Filmed in black and white, 'The Séance’ follows the demise of
legendary Victorian freakshow host, Ambrose Oddfellow, as drink, tragedy and the advent
of picture-houses force him to host phoney seances for the gullible aristocracy of
Brighton. But who knows what can happen when dabbling with the forces of darkness...
The cast includes former Salvador Dali model Drako Zarhazar (as Ambrose Oddfellow),
Michael Attree (the world moustache championship holder), Dave Mounfield (portly
comedian and nice chap) and the legendary Heidi Heels.
Dragon
or Emperor are the awesome two-piece
lightning-bolt drums & bass assault of Aaron Moore (Volcano the Bear, Songs of Norway)
and Stewart Brackley (Black Carrot, Songs of Norway) on bass guitar/vocals. Somewhat
akin to a geeky Lightning Bolt in charity shop suits loosening up and playing jazz,
with additional manic Pere Ubu-style vocalisations. Aaron Moore beats absolute hell out
of his drumkit, whilst the Brackley embarks on daring fretless excursions to the absolute
edges of what constitutes a rhythm. An enormous sound that marries their intense
mixture of fun and chaos.
Black Carrot
hail from the sleepy market town of Market Harborough, where they have clearly evolved
in splendid isolation. A trio with drums, bass and saxophones, they play a fierce,
largely improvised set of what they themselves style krautrock-inspired space jazz folk.
Certainly, if you have any fondness for Can or Faust, or perhaps more recently the
American band Morphine, you are going to find something to love about Black Carrot.
The label's roster is genuine quality. Artists like Philadelphia's Need New
Body, Chicago-based Bablicon, Pop-Off Tuesday from Osaka, and Leicester’s very
own Volcano the Bear, have tapped rich musical mines, mixing jazz, avant rock
surrealism, and a punk rock approach.
This showcase celebrates the brilliance and diversity of the label's roster
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